Key quotes from the woman in black book
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The Woman in Black Movie Quotes
T his is a ghost story, so we start with the storyteller. Literary critics rarely use this last term, preferring to talk of the "narrator". But when it comes to hauntings this traditional description is fitting. Arthur Kipps is giving us a tale that he is condemned by his own memories to tell. When the novella opens, he is a man in late middle age, surrounded by adult stepchildren at Christmas. Naturally they begin to tell ghost stories: Christmas is the time for this, when the year is darkest and family or friends are gathered together to be entertained.
For the classic ghost story is a performance. Some of the best ghost stories — The Turn of the Screw is the most famous example — begin with this situation: a person telling a story to a group of rapt listeners. The master of the ghost story, the Cambridge don MR James , used to read his latest compositions out loud to friends before publishing them.
Most ghost stories are novellas or short stories, so that they might be fitted into a single, uninterrupted reading. Arthur is too darkly haunted by the story that he has in his head to join in the family game. The story has to be told, but must be difficult to tell. A ghost comes back from the past, and so does a ghost story. In the opening of this narrative the storyteller talks of coming out "from under the long shadow cast by the events of the past".
At its end, the storyteller has managed a difficult task. Thus the book's terse concluding sentences: "They asked for my story. I have told it. Or you could think that it shows him still possessed by the fears that the story has re-awakened. As a young man, Arthur, then a junior solicitor in a London law firm, was sent to the remote town of Crythin Gifford to sort out the papers of a recently dead client of the firm, Mrs Alice Drablow.
Of course she had lived in a gloomy mansion — Eel Marsh House — cut off from the village by a causeway that is only passable at low tide. Of course the locals are fearful of the place and yet highly reluctant to talk of their fears. Readers will recognise some of the conventional properties of this highly conventional form: the art of the author is to turn our expectations into apprehension.
Arthur the storyteller recalls his own youthful scepticism — "I did not believe in ghosts" — but we know that the person who tells the story has been made to think differently. In a time-honoured generic pattern, this ghost story throws a particular light on the storyteller, asking us to notice not just what happens in his narrative, but what has happened to him.
He confesses near the opening of his tale that "for many years now" his spirits have been "excessively affected by the ways of the weather". Something has happened to him, we infer, to produce this "susceptibility".
It is another way back into the past. For in the story that he eventually tells, the weather will be a disturbingly active element. In the story, the much younger Arthur stumbles after the truth of the narrative into which he has been thrust. What has happened in this house? What terrible events are recorded in Mrs Drablow's chaotic papers? In a crucial episode, this stumbling is literal: roused in the night by a child's cry, he finds himself desperately fumbling after a candle when all the lights in Eel Marsh House go out.
But the real fumbling is that of the storyteller recalling the episode; we experience the drama in the present, as he tries to understand his experiences. He remembers how, in the dark, empty nursery of the house, he felt something worse than terror.
Only at the very end will we find the meaning of this. The proper telling of the story depends upon narrative suppression. As we near the conclusion, Arthur recalls his departure from Crythin Gifford and re-enters his hopeful past self.
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The Woman in Black - Illustrating and Supporting Points
Daniel Radcliffe stars in 'The Woman in Black' as Arthur Kipps, an attorney who winds up smack in the middle of a terrifying mystery in a small town. Not surprisingly, some of the best quotes in 'The Woman in Black' come from Radcliffe. This list includes many of the most memorable lines from the film. If you have a favorite, by all means, vote it up! And if there's a 'Woman in Black' quote that stood out to you that isn't on the list, add it.
I had always known in my heart that the experience would never leave me, that it was now woven into my very fibers, an inextricable part of my past, but I had hoped never to have to recollect it, consciously, and in full, ever again. Like an old wound, it gave off a faint twinge now and again, but less and less often, less and less painfully, as the years went on and my happiness, sanity and equilibrium were assured. Of late, it had been like the outermost ripple on a pool, merely the faint memory of a memory. Now, tonight, it again filled my mind to the exclusion of all else. I knew that I should have no rest from it, that I should lie awake in a chill of sweat, going over that time, those events, those places.
The Woman in Black Quotes
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The Woman in Black by Susan Hill
These notes were contributed by members of the GradeSaver community. A wistful remembrance from a much older Kipps who takes the time to interrupt the flow of the narrator with an observation that expands upon the changes that have been made to his character since the events in the novel he is narrating took place. The last few words of this quote provide an ominous sense of foreshadowing that tells the reader they should be prepared to find exactly what happened to the narrator to cause another person to take the blame. Another bit of foreshadowing as Kipps reveals that he is intensely aware of the power of courage. The reader learns from this quote that courage is going to be required and there is within this admission more than a little sinister expectation of exactly what will be faced that requires such courage.
Arthur Kipps is the main character and narrator of the story. We see him as a contented man at the start of the novel, but he is haunted by memories of his past. As he narrates his own ghostly tale we are first presented with a rational, keen and positive young man. He is determined to complete his work at Eel Marsh House, no matter how strange or scary the place is.
Useful Quotes for the Woman In Black Themes
Arthur is the main character and the narrator. In the first and last chapters we see him as a man approaching old age. The youthful Arthur Kipps is a privileged, well-educated, ambitious, adventurous, impatient, arrogant, brave and foolhardy. Therefore allowing the reader to identify with the character. After the death of Stella and his baby he is a broken man.
The Woman in Black Exam Revision
When you write essays for English literature, you are expected to support your points with convincing evidence. This evidence can be provided either by making specific reference to moments in the text, or it can appear in the form of direct quotations. Using the text to back up your argument is what makes your writing persuasive. Quoting and paraphrasing are techniques which also show how well you understand the text. While these skills are essential, they are by no means easy! You can, however, improve with practice.
Even though Keckwick is a tight-lipped kind of fellow, it must still be hard on Arthur to see him go. The empty and lonely surroundings at Eel Marsh House are starting to get to Arthur after he spends a while there alone. Keckwick himself is no stranger to isolation and does not wish this upon any other, as shown by his kindness here to Kipps. There was no visitor—or at least no real, human visitor—no Keckwick.
T his is a ghost story, so we start with the storyteller. Literary critics rarely use this last term, preferring to talk of the "narrator". But when it comes to hauntings this traditional description is fitting. Arthur Kipps is giving us a tale that he is condemned by his own memories to tell.
Обычно они лишь уменьшали их яркость; кодекс чести гарантировал, что никто в их отсутствие к терминалу не прикоснется. К черту кодекс чести, - сказала она. - Посмотрим, чем ты тут занимаешься. Окинув быстрым взглядом находящееся за стеклом помещение шифровалки, Сьюзан включила кнопку яркости.
Неужели Хейл никогда не слышал о принципе Бергофского. - Вот что нам надо сделать. - Стратмор начал спокойно излагать свой план. - Мы сотрем всю переписку Хейла с Танкадо, уничтожим записи о том, что я обошел систему фильтров, все диагнозы Чатрукьяна относительно ТРАНСТЕКСТА, все данные о работе компьютера над Цифровой крепостью, одним словом -. Цифровая крепость исчезнет бесследно. Словно ее никогда не .
Наконец-то. Он не знал, каким образом она поняла, что ему нужно кольцо, но был слишком уставшим, чтобы терзаться этим вопросом. Его тело расслабилось, он представил себе, как вручает кольцо сияющему заместителю директора АНБ. А потом они со Сьюзан будут лежать в кровати с балдахином в Стоун-Мэнор и наверстывать упущенное время.